Zoom link:

March 13, 2025

Dr. Anthony (Tony) Seeger

Talk Summary:

Music can change people’s lives. In fact, it can change them several times. Music played around the house during childhood may give way to the discovery of something quite different in grade school and college after exposure during a concert, listening to a recording, or a class assignment. Most people I have talked with remember vividly at least one experience with music. Some of them became devoted fans, others learned to perform on musical instruments, some became professional musicians and some became anthropologists or ethnomusicologists who study music.

Only a few anthropologists have focused their research on music and dance.  From our publications it would appear that most of us are deaf to melody, unmoved by dance, unaware of aromas, and very dependent on using language for our research. But I know most anthropologists have been deeply moved by their own musical experiences. Many play musical instruments and are good dancers. In the late 1960s and early 1970s my dissertation advisors, Victor Turner and Terence Turner, were notable for their musical and dance contributions to parties as the evenings grew late—Vic with his enthusiastic dancing and Terry with his seemingly endless supply of raunchy rugby songs.

How does an anthropologist change people’s lives through music? I will discuss how I used my training as an anthropologist to run an audiovisual archive, The Indiana University Archives of Traditional Music, and a record company, Folkways Records after it was acquired by the Smithsonian Institution. I will outline how my training in anthropology shaped my approach to running both of them, and what I tried to do to help people change their lives, and their thinking. Both of these endeavors  could be called “applied anthropology (or ethnomusicology)” because they were public facing and policy related. But they influenced my thinking as well—many of my articles and book chapters have been “forged in the crucible of action” where the doing shaped my subsequent thinking.

Presenter Bio:

I was born into a musical family whose lives were profoundly affected by the right wing “red scare” in the late 1940s, 1950s, and early 1960s. My musicologist grandfather had his passport cancelled and had to retire from his job at the Pan American Union. My uncle Pete was investigated by HUAC and convicted of contempt of Congress (a feeling now shared by many). Several other members